Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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william r clark
matterhorn ansags lange omojligt att bestiga trots att det ar ca 300 meter lagre an mont blanc.

ID: 59341

william r clark matterhorn ansags lange omojligt att bestiga trots att det ar ca 300 meter lagre an mont blanc.
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william r clark matterhorn ansags lange omojligt att bestiga trots att det ar ca 300 meter lagre an mont blanc.


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william r clark

1829-1912  Related Paintings of william r clark :. | stanleys stora och valbevapnade expedition marscherar forbi rader rader av fientliga afrikaner | australier narmar sig forsiktigt en upptacktsresan des lager i odemarken. | ross och andra sydpolsforskare pa 1800 talet utnyttijade fulviken pa den ensliga on kerguelen, ca 2000 km norr am antarktis. | nedan | svart sjuk och utmattad av ett langt hart hart liv |
Related Artists:
Francois Boucher
François Boucher (29 September 1703 - 30 May 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, intended as a sort of two-dimensional furniture. He also painted several portraits of his illustrious patroness, Madame de Pompadour.
Jacob de Gheyn II
Jacob de Gheyn II (also Jacques de Gheyn II) (c. 1565, Antwerp - March 29, 1629, The Hague) was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career.
Frits Thaulow
Norwegian Impressionist Painter, 1847-1906 .Norwegian painter and engraver. Originally wanting to become a marine painter he studied at the art academy in Copenhagen (1870-73) as well as with the Danish marine specialist C. F. S?rensen (1818-79). He spent two winters at Karlsruhe (1873-4, 1874-5) as the pupil of Hans Gude and then went to Paris, where he spent much of the period 1875-9. His marines and coastal pictures, some of which were accepted at the Paris Salon, were only moderately successful, but he acquired a fair knowledge of contemporary French Realist art and felt that Norwegian artists should learn from it.






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